Eyes on Talents for Today, for Tomorrow

Lucille Boitelle

Eyes on Talents member, Lucille Boitelle, is an ornamental painter, a rare profession, which aims to produce the original cardboards necessary for the production or creation of papers, fabrics, and wallpapers. In September, she was recognized by the Grands Prix de la Création de la Ville de Paris, receiving the Prix Révélation Métiers d’art for her distinctive work at the crossroads of fine arts and decorative arts. Through her projects, Lucille Boitelle affirms a practice both idealistic and embodied, fully embracing its narrative function. She explains, "By drawing inspiration from the landscape, my work questions what our desire to inhabit might be. A porous surface between two worlds – interior and exterior, dream and reality – the decor is an extension of space, a window onto elsewhere." As 2025 marks a major turning point in her career, Lucille Boitelle is now continuing to develop her Matériauthèque des possibles, a fusion of her decors with other know-how, with the aim of extending her pictorial universe in space, without limit of supports or techniques. A global and committed approach towards the emergence of a new Arts & Craft – idealistic, grounded, powerfully collective.

Images: The Orchard, Lucille Boitelle for Les Dominotiers. Adachi, Lucille Boitelle for Casamance. Bindu & Wenge, Lucille Boitelle for Larsen. Lucille, Lucille Boitelle for Pierre Frey.

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Ralph Lauren Reveals Next Phase of Global Citizenship & Sustainability: Timeless by Design 2030

The strategy builds on the company's progress over the past several years to enhance the resilience of the teams, communities, partners and natural resources essential to the business.

Read more on WWD

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Comment Prada a imposé le Re-Nylon dans ses collections

Avec son nylon durable, la Maison de luxe Prada a opéré l'une des manœuvres les plus habiles du luxe contemporain : transformer une contrainte environnementale en levier d'identité de marque, sans jamais en altérer l'identité, ni le désir.

Read more on Journal du Luxe

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Chanel fait dialoguer art et beauté au Jeu de Paume

Quelle est la relation entre beauté et image ? Comment représente-t-on la beauté à travers l’art ? Comment la perçoit-on ? Ces questions, ainsi que celles qui en découlent, sont, ce printemps, au cœur des interrogations menées par la maison Chanel, qui poursuit un projet en étroite collaboration avec le Jeu de Paume initié en décembre 2024.

Read more on Numéro

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À l’initiative de Thanks for Nothing, le musée du Louvre accueille les 9e Rencontres Art et Engagement

Cette nouvelle édition, qui se déroulera le jeudi 26 mars 2026 à l’auditorium Michel-Laclotte, invite des personnalités du monde artistique, associatif et scientifique à échanger sur le thème de l’habitat.

Read more on The Art Newspaper édition française

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This Barbican exhibition design is paper based, reflecting a wider trend of impact-conscious shows

From shows at Vitra Design Museum to the Pompidou satellites and now the Barbican Centre, an increasing number of shows are being designed with demountability, reuse and recycling in mind.

Read more on FRAME

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Mettre de la vie dans l’archi, le credo du duo de l’agence Compagnie Architecture

À Bordeaux, Chloé Bodart et Jules Eymard conçoivent des écoles, des salles de concert, un village artisanal. Avec un sens des matières et des couleurs, et toujours le soin de dialoguer avec les habitants ou usagers tout au long du projet.

Read more on Télérama

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H&M, Stella McCartney Want Consumers to Embrace Sustainable Fashion, Not Run From It

H&M and Stella McCartney have put together an Insights Board to come up with ways of making sustainability "less fearful" for the fashion consumer, and help them lead a greener life.

Read more on WWD

The Barbican presents a major retrospective of groundbreaking Colombian artist, curator, art historian and educator Beatriz González (1932–2026, Colombia), whose bold work explores the power and impact of the images we encounter every day. Bringing together six decades of González’s work – from the 1960s to the present – this exhibition celebrates the artist’s extraordinary and dynamic practice.

From her monumental paintings to repurposed furniture, wallpaper and installations, González draws from found images in popular postcards, reproductions of Western art, and newspaper clippings. In her distinctive graphic style and vivid palette, she transforms these images, playfully questioning ideas of taste, critiquing power structures, bearing witness to violence and offering moving reflections on grief, displacement and community.